"Aclamad!" is an exuberant expression of joy. The Spanish lyrics are taken from the 100th Psalm - "Aclamad con júbilo al SEÑOR, toda la tierra" (Shout with joy to the Lord, all the earth). Composed with a touch of Latino flair, Aclamad! is perfect as a high-energy closer for contemporary or classical concerts. It is one of those rare finds that sounds much more difficult to perform than it really is. Difficulty 3.

This Agnus Dei is part of a full mass composed for the wedding of the composer’s youngest son. This composition requires a soloist with musical sensitivity. This beautifully haunting piece is sure to be a favorite of both students and audiences. Festival level, yet a quick learn. Piano Editor: Debra DeMiero. Piano part included. Difficulty level 2.

Here is a wonderful concert choir arrangement of a Johannes Cruger seventeenth century work. This a cappella piece uses traditional harmonies to outline the text of this beautiful arrangement. A soprano solo is featured at the beginning. Excellent selection for concert or large group choir festival. Difficulty level 3.

A majestic, traditional processional anthem supported with a strong instrumentation including organ, flute and tenor saxophone. This work will produce a full, rich choral sound. Difficulty level 2.

A great a cappella selection that can be performed by your concert or jazz choir. A creative rendering of an old Irish melody. Vijay's artistic use of tight harmonies and modulations make this a beautiful work that will challenge the voices, but will also inspire them to sing from the heart. Difficulty level 3.

Peter Taylor is a consummate musician. He has composed music for bands, orchestras and choral groups. “Benedictus” is a wonderful selection in three parts, simply written, but producing a full, rich choral sound. The piano accompaniment is supportive of the choral parts, but at the same time creatively and independently beautiful. Piano part included. Difficulty level 2.

A wonderful a cappella setting of a great standard American hymn. Cary has taken this piece in a new direction with contemporary harmonies and expressive phrasing opportunities. This will be a favorite with your concert or church choir. Difficulty level 4.

The fifth movement of The Sacred Cantata is a beautiful, gentle ballad with lyrics from Matthew. The use of the old American folk song, The River Is Wide, as a counter melody adds a richness to the melodic beauty of this piece. Starting with a unison or potential solo section, this composition is easy to learn. The haunting melodic and harmonic qualities will challenge the singers and entertain your audiences. A wonderful change of pace piece for your concert or church choir. Piano and bass parts are included. Difficulty level 2.

The sixth movement of The Sacred Cantata is an a cappella selection that may be performed with a small or large ensemble. Are you looking for an exciting gospel that features a baritone or tenor solo? Well, here it is! Like many traditional gospel arrangements, this piece uses the essence of rhythmic and melodic repetition and features a lively modulation. Difficulty level 2.

The exciting finale to 'The Sacred Cantata' builds and builds by adding vocal sections. The tenors begin and then are joined by the sopranos, basses and finally the altos to make this selection a true concert closer. The composer uses a wide range of dynamics as well as unison to add to the strength and seniority of a wide, but appropriate vocal range. This selection will bring the audience to their feet! Piano and bass parts are included. Difficulty level 2.

A powerful a cappella piece of music for your concert choir. It incorporates the use of multi-time changes and unique rhythmic patterns that compete and compliment each section. The piece is written in Latin with traditional text. An excellent piece for choir performance or festivals. Difficulty level 4.

This exciting selection is part of a full mass composed for the wedding of the composer’s youngest son. The first section, which is repeated throughout the work, is in 3/4 and at a quick tempo. The second section is in 4/4 with a rubato feel and requires bass and soprano soloists. Piano Editor: Debra DeMiero. Piano part included. Difficulty level 3.

The second movement of the 'Sacred Cantata,' was written with respect to and in the style of the great gospels of Jester Hairston and William Dawson. It is scored for choir and tenor soloist but would be appropriate for any solo voice. The soloist describes biblical stories about characters that served the Lord by obeying His commands. The choir joins the soloist at each refrain and plays the role of the congregation, depicting biblical scenes including Noah, Moses, David and Jesus. A bright, uplifting gospel with a dynamic piano accompaniment. Piano and bass parts are included. Difficulty level 3.

This three part a cappella Halleluyah produces a powerful choral statement your choir will love. The voice leading is excellent and puts the voices in their best ranges for a truly beautiful setting of this text. It is a short piece that will both show off your choir and please your listeners. Difficulty level 2.

The first movement of The Sacred Cantata uses the text from the Gospel of John and is sung a cappella for the first portion of this piece. Then, in a most gentle and flowing manner, the piano and bass are brought in to support the simple but effective harmonies. This selection would be appropriate for all concert seasons. Piano and bass parts are included. Difficulty level 3.